Studio equipment integration
Switchers, routers, intercom and monitoring connected into one tidy, documented system.
Live television production hub
dailymix brings studio equipment integration, dynamic camera work, acoustic control and lighting craft together, so news programmes, interviews and live shows run reliably from the first rehearsal to the final credits.
Monthly production notes for UK crews
Planning a studio build or upgrading a live workflow? Start with the questions producers ask us most often.
Before the floor plan is fixed. Early input on cable routes, rack space and power avoids costly rework later.
Yes. We audit what you already own and design around it, replacing only what limits your live output.
Key, fill and backlight for each presenter, controlled background lighting and a dimming plan that suits your cameras.
We measure the room, treat early reflections, then place microphones and monitoring so voices stay natural.
We plan return feeds, latency and talkback so remote contributors fit cleanly into the live running order.
Every critical path has a tested backup route and a written changeover procedure that the whole gallery rehearses.
Tell us about your studio and we will reply within a working day.
Our integrated approach links equipment, people and process, so you can manage every part of a live programme from one clear plan.

Pedestal, jib and handheld moves planned shot by shot so the gallery always has a strong option.
Rooms measured and treated so presenters, guests and audiences sound clear on every platform.
Plots documented and dimmer-programmed so every programme looks the same on day one hundred.
What we deliver
Clear scopes and transparent starting prices for every part of a broadcast operation.
Switchers, routers, intercom and monitoring connected into one tidy, documented system.
Framing, movement and shot variety that keep news and talk formats lively.
Room measurement, treatment and microphone placement for clean on-air sound.
Flattering, energy-aware lighting plots for desks, sofas and entertainment sets.
Rundowns, talkback and failover procedures rehearsed until they are routine.
Practical courses for camera, sound, vision mixing and gallery teamwork.
Straight answers about timelines, rehearsals, training and support.
Most single-set news or interview studios are ready in four to eight weeks, depending on build and equipment lead times.
Always. We run full technical rehearsals with your presenters and crew, including deliberate fault drills.
Yes. We support productions across England, Scotland, Wales and Northern Ireland, on site or remotely.
Our workshops run in your own studio on your own equipment, so skills transfer straight into daily work.
Projects are billed in stages tied to milestones. Training days are invoiced after delivery.
Every project includes a documented handover and a priority support line for the first ninety days.
Our crew
Engineers, directors, operators and designers who have spent years in real UK galleries and on real studio floors.

Head of Studio Engineering
Designs signal flow and equipment racks for newsrooms and entertainment studios.

Live Production Director
Leads galleries on multi-camera interviews, rundowns and tight live schedules.

Senior Camera Operator
Coaches crews on jib, pedestal and handheld moves that stay smooth on air.

Lighting Designer
Builds flattering, repeatable lighting plots for desks, sofas and talk sets.
Whether you run a single-desk bulletin or a multi-set entertainment floor, we shape the space around the programme, not the other way round.



Every critical signal, power and network path has a tested backup before launch.
Clear changeover steps let a gallery recover in seconds rather than minutes.
Staged delivery and rehearsals protect your launch date and your running order.
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